Neil Young.- Peace Trail (2016) Review
Neil
Young.- Peace Trail (2016) Review
One thing you have
to concede to Neil Young is that the man loves uncertainty, most of his records
always live out of a comfort zone, you never know what will comes next from
Neil and Peace Trail is no exception, no two Neil Young records are alike, the
man is always on the move as if trying to escape from himself, going from
classic rock, to troubled folk, to romantic crooning, to Southern rock, to
weird electronica experiments and then to blasting dissonant brutal rock,
again, Peace Trail is hard to define, Young acoustic and electric guitars
joined by a subtle but firm bass player and massive drumming, you are sure this
is Neil Young sound, but again, taken into uncharted territory.
The title track
has one foot in folk and other in the sort of rock singer songwriter sound Young
created in the 70s, Young showing the lessons "alternative" guys like
J. Mascis from Dinosaur Jr. and Jack
White from the White Stripes have learned from him, in a song kind of obscure,
kind of pessimistic with Young incendiary guitars perfectly catching the
despairing mood America is living these days, "the world is full of
changes, something new is growing" sings Young while his electric guitar
lead us in the middle of darkness, Can't Stop Workin' is another view from the
gutter, mainly an acoustic affair with booming drums and Young’s guitar as red
hot as you can imagine in your wildest dreams.
Young goes deep
into a bluesy romp with Indian Givers in a song about North American natives
and their critical condition, "bring back the days when good was
good" sings Young in a obvious reflection of today lost expectations,
while on the swinging Texas Rangers, Young opens the gates and lets violent
waves of distortion hit the listener mercilessly in an intermittent way, it's
an engaging tune and a fearless experiment from Mr. Fearless himself, one that
perversely continues on Terrorist Suicide Hang Gliders, a surreal song with
Young apparently playing a very deranged version of the music people like
Pixies, Dinosaur Jr. and Nirvana stole
him.
The experimental
nature of Peace Trail continues in My Pledge, with Young double tracking
himself vocally and acquiring a Lou Reed like sound to the song, again, a brave
experiment with Young taking us into an odd sounding song that paves the way to
the rough edged country tinged roar of Glass Accidental, with Young not only
taking inspiration from the blues, but also from the rural country flavored
South, Peace Trail in not exactly one of Neil Young best records, but again is
a very outstanding recording in the middle today's pop sterile landscape, is
Young risking it all like always, and having a modest win, but consider not too
many are winning these days.



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