Grand Mexican Warlock- III (2016)
Grand Mexican Warlock- III (2016)
By: Ghost Writer
Bass and drums
performing an almost military march at the beginning of the first song out of
this record, it almost sounds similar to the intro of Led Zeppelin’s Immigrant
Song, a song that wouldn't make too much sense in Hungary with the xenophobic ultra-right
of the Jobbik Party and Viktor Orban's semi authoritarian nationalism becoming
stronger, but the truth is that as a Mexican, I feel a real connection with the
Hungarian band known as Grand Mexican Warlock, their music is truly magical and
multidimensional, heavy at some moments and mystical at others, always with an
impressive surprise right at the turn of the corner, opener Main Stage is quite
a stunner, a beast of many colors, a song that's both brutal and warm keeping a
complex equilibrium, yes, is progressive in a way, but in a completely
different wave from you prog rock, with the band not afraid of embracing truly
organic warm sounds and then exploding with crunchy guitars, reminding me at
times of the shape shifting Mr. Bungle.
For It Kills Me, a
dash of Deep Purple thunderous approach is felt on the hard as a rock initial
riffs, while the band again goes latter in to some dark intricate passages,
coming out with great unsuspected melodies, the band sounds rich in resources
with skillful players creating layer after layer of intensely flowing rock and
a passionate performance, creating chameleonic songs that work almost like a
riddle that slowly opens to us.
Heavy drum and
bass again led the events in Vexed, creating a wide road for chiming guitars
and mysterious keyboard lines to fill in, as the band gets into complex
territory thanks to its inter webbing vocal arrangements, never coming out of
the shadows and with a singer capable of creating amusing moods by changing the
vocal style in a continuous way, totally going out of the box on Hummingbird, a
low key theme that goes into an almost jazzy tune giving the band a large dose
of immediate accessibility.
With songs like
the hyper kinetic The Cycle, just like the Mars Volt, the band keep things moving
at a vertiginous way, preparing us for a ”grand finale” in the form of Babou, a
song that would make King Crimson and Steven Wilson jealous, while on Disillusioning, after an atmospheric moody
intro, they simply explode, again in classic rock mode, making this III a quite
amazing trip to the mind, heart and soul of this incredible Hungarian musicians
who really know how to rock hard with their unique brand of enigmatic prog
rock.



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