Beck- Morning Phase (2014)
Beck- Morning Phase (2014)
Beck Hansen
has crafted for himself some disparate costumes for his musical persona, the lo
fi sonic experimentalist, the moody acoustic crooner, the postmodernist, the
folkie guy, the loser-slacker hip hopper and the Tropicalia revivalist, perhaps
the two most incompatible of them might be the moody crooner and the
loser-slacker hip hopper, although you can somehow throw them into the
postmodernist tag, but analyzing both worlds are so incompatible that Beck has
nearly isolated one form each other, so much that a record like Sea Change is a
world apart from Mellow Gold, and for the 2014, Beck is presenting a similar
approach issuing Morning Phase, a beautiful acoustic moody record and he is
promising a hip hop influenced record for the late part of the year, trying to
reconcile his two sides and his two audiences, a young and a more mature one.
Morning
Phase is without a doubt a beautiful honest record, one that brings back the
placid sounds from Sea Change, but while Sea Change was a mournful record,
Morning Phase is a more luminous one, one that shines in a subtle way, just
like the early rays of sunlight, and one that make us shakes like the cold that
starts to fade away in the morning.
Morning
Phase starts with Morning, a song that features acoustic guitars, gentle
keyboards and sparse drumming, a record that recalls the shiny beauty of those
singer songwriter 70s Californian records, kind of David Crosby, kind of Dennis
Wilson, kind of Gram Parsons, kind of Lindsey Buckingham, languid, warm and
sunny sounding, good to the heart, with a beautiful melody and a soul embracing
chorus, with no doubt one of Hansen best songs, although definitely one that
will not score big with his “Loser” or “Devil`s Haircut” fans, but if you are into
seventies things like Big Star, Fleetwood Mac or the Beach Boys, it definitely
hits home.
Heart Is
Drum has beautiful guitar strings and soft synth washes, a more upbeat tempo
and kind of in tune with that good and surprising record Beck produced for Thurston
Moore, showing both men appreciation for the California sounds they might
listen as kids, Say Goodbye reminds me of that old band named America, another
pretty song with gentle west acoustic guitars and a fading vocal line, Beck
displaying fully his tenor vocals and showing impressive skills as a great soft
rocker, a term that I haven’t remembered since the time of Bread, but that
somehow Beck manages to handle quite well.
Blue Moon
is a center piece to this album, a great structured composition, more fully
orchestrated than the previous songs, and again a great addition to Beck`s
curriculum as songwriter while Unforgiven has powerful drums, phased keyboards
and a somber tone, Beck sounds heavily affected emotionally and he transmits
that thru his voice, this time heavily processed for a dreamy effect, that
reflects how heartbroken one can be and the enormous turmoil it brings to one
inner self, in fully seventies lush mode.
Beck sounds
like the lost son of Scott Walker on Wave, on the kind of heavy strings
texture, heavy vocal based type of song Bjork would be proud of, it is a
curious theme than links two of the most prominent postmodernists and why not,
I would love to see them both cranking this tune live, while Don’t Let It Go
and Country Down have that country vibe that’s both well rooted and modern at
the same time, once again, showing Beck talent to jump thru genres and creating
something new out of pieces form the past, Blackbird Chain is a bass heavy tune
with a certain Neil Young flavor, a good
indication of the timeless and enormous influence Mr. Young has casted on newer
generations.
Morning
Phase might not score big with hipster audiences, but it would make a very nice
impressions with serious fans of music, just the way Sea Change did, MP is not
a better record than Sea Change, but it reunites very good compositions by
Beck, who seems worried this days in achieving two almost impossible and
incompatible things, making a big mark as a serious songwriter, and scoring hit
songs with the young masses.
A good
company to the latest Crosby record, it seems that sunny California is rising
again and quiet is the new loud.
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