Guided by Voices- Motivational Jumpsuit (2014)
Guided by Voices-
Motivational Jumpsuit (2014)
The thing is, I was a very big fan of Guided By Voices a couple of years
ago, well like 15 years ago, to be exact, lately, Guided`s main man Robert
Pollard has been assembling a new version of the band and putting records at a
frantic pace, along with solo recordings, but I must admit, none of them as
satisfying as his 90`s recording, not until now, that Pollard seems to have hit
his muse once again, this time with Motivational Jumpsuit, a record that
captures that early GVB promise in a big way.
Guided By Voice stuff is a complex thing, it has that messy and druggy
vibe from Syd Floyd (as I name Pink Floyd period with the great Syd Barrett),
the destructive attitude of the early Who, some touches of the psychedelia pop
of the Byrds and the Beach Boys and the appliance of the lo fi aesthetics of
the 90s, that, and yes, Pollard neurotic discharge, as the man fights regularly
with writer`s block, that once he overcomes it, ends up with a long string of
records, this, Motivational Jumpsuit, the latest of them.
Littlest League Possible (a tune not about baseball, but about major and
indie labels) might be GBV best tunes since his glory days, big drums opening
doors with thunderous sounds, and the big mess that is GBV opening and bleeding
all over as Pollard voice of a prophet attacks immediately, in the way the
great Roger Daltrey does, the impact is big, but the effect last little, as the
tune is precise, short and leaves us with little, Pollard keeps the best stuff
short, very short shall I say in order for us wanting more, a good strategy but
not very well used here, as Until Next Time put the adrenaline of the first
tune down, as we are faced here by an almost acoustic tune, showing perfectly
GBV lo fi aesthetic pop approach, a kind of rock opera in the way The Who does,
perfectly channeled here by Pollard, right after been abrupt hit once again
with another harsh detour, as Writer`s Bloc (Psycho All the Time) suddenly
materializes, with its distorted guitars barking at Pollard, who is clearly
decided to keep thing difficult this time, its admirable how he keeps his
artistic vision all the time, shaking up things, never been too complacent and
challenging.
A title like Child Activist makes me laugh a little, but wait, there`s
the great Malala Yousafzai, which maybe Pollard may be addressing here, a song
with powerful guitars roaring guitars and wha`s all over, that after a few
seconds gives way to the solid rock drumming of Planet Score, a great tune that
dissolves into abrasive noise as it ends quickly, just to be followed by
Pollard 60`s obsessive Jupiter Spin, with psychedelic vocals and bleeding
guitars all over, continuing with that trend on the heart moving Saved the
Company, in which Pollard gives a great vocal showing.
In the past, I always thought of Pollard and company as R.E.M. from a
bizarre universe, not afraid of showing their love for the jangle rock of the
Byrds, but also not being afraid of distortion and noise, and that wild mix is
shown in Record Level Love, which could be Stipe and company ferocious,
concentrated and inspired like in the good old times.
GBV voices output might be a little bit ridiculous, there’s a lot of
good songs on Motivational Jumpsuit, but there`s also some mediocre ones, but
the point here is that Pollard is more obsessed by recording his confessions
about life, than creating hit songs, and every song lacks a beginning or an
end, just as the whole record, this might just be a day in the life of GBV and
Robert Pollard, and not a transcendental recording, but I must also add, that
Pollard and company haven’t had a day like this in a long, long time, a great
recording, and a strong showing that GBV is on track again, for how long? Who
cares?
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