The Red Hot Chili Peppers- One Hot Minute (1995)
The Red
Hot Chili Peppers- One Hot Minute (1995)
By: Ghost Writer
Four years after
the commercial and artistic triumph of Blood, Sugar, Sex, Magik, I bet people
would have thought that the Red Hot Chili Peppers were ready to take over the
world with a more streamlined and polished effort as a follow up, perhaps 1999
Californication was precisely that, but in between, the Peppers, at the time
one of my favorite bands and featuring the enigmatic Dave Navarro, from Jane's
Addiction, decided otherwise and set up to make a quite difficult record,
1995's One Hot Minute was exactly what the name implies, a mid pause before
stardom and the joys of popularity, a small chance to put in practice their
creative muse before giving up their unpredictability.
First theme Warped
was a sledgehammer blow against the head, with the Peppers saying goodbye in a
riotously way to their punk roots, featuring great guitars by Navarro injecting
a heavy dose of aggression previously unheard in the band, in an almost Zen
way, perfectly matched by Flea and drummer Chad Smith, but the band at the time
was making no concessions and was bouncing from heaven to hell and back
effortlessly, as seen in the funky feeling good Airplane, more streamlined than
their previous record, but equally groovy, and then the brutal attack again of
Deep Kick with heavenly chorus by Kiedis that gave clear hints to a sound the
Peppers where about to develop in following records.
For My Friends,
the band again makes light years leaps musically speaking diving into a more
acoustic sound, with this beautiful mid-tempo song, just before going really
maniac on Coffee Shop, with Flea athletic bass playing, Chad Smith's organic
drumming and Navarro's playing all over the place, and then a little nod to the
rebel gang sound of Mother's Milk on the hyper funk of One Big Mob, a definite
highlight on the album.
Personally, I'm a
little vulnerable to Tearjerker, as Kiedis shows here his impressive way to
transmit emotions despite his limited vocal range, from that point forward the
band gets a little bit lost between the heavy grunge of One Hot Minute and of
Shallow Be Thy Name, the tedious swing of Falling Into Grace, and the little
bit pretentious Transcending with a scary chaotic ending, it could have been a
better record if some songs would have been left out, but anyway One Hot Minute
is a great record, wildly rebellious, unexpected and defying, one of my
favorite three or four records by the band, and a sort of big bang they never
fortunately attempted to repeat again.
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