Miley Cyrus and her Dead Petz (2015)
Miley Cyrus and her Dead Petz (2015)
“I love pop music.
It's not easy to write a good pop song.”
John Lydon
By: Ghost Writer
If you ask
me to name you 10 Madonna's songs, perhaps I can fairly do it, if you ask me to
name you just one single Miley Cyrus song, I can't (although I remember one
lousy song by his father, the awful Achy Breaky Heart by the now forgotten
Billy Ray Cyrus) for me, the girl is more about scandals and showbiz than
anything else, yes I have seen the video with the wrecking ball and the other
in which she does twerking to the guy dressed as Beetlejuice, but that's it,
yes, I was excited by her collaboration with Against Me! On some video on
internet and with the Flaming Lips collaboration on the senseless Beatles
covers record the made, I think she's a better sideshow than protagonist, I
presume.
Yes we all
know that the Flaming Lips can be at times too risky experimentalists, but
getting too close to the sun can melt the wax in your wings like what happen to
Icarus, the guy from the Greek mythology who became later the inspiration for
an Iron Maiden song.
Strangely, Cyrus
might be doing something Madonna should have done a decade ago, getting risky,
going out of mainstream pop by the hand of an adventurous band and getting
revitalized in the act, but Miley is a disposable singer, her voice has no
identity, she can write a single memorable song and when in company in someone
else she gets lost pretty easy.
Miley Cyrus
and Her Dead Petz is the result of the Flaming Lips continuing their route
towards weirdness, but always keeping the eye on money, whereas for Cyrus is simply
entertainment without much substance or transcendence, it’s a fact that Cyrus
is not aiming at becoming something, I guess she still doesn’t know what…a hip
hopper, a rock star…here he sounds like Lana Del Rey gone very, very wrong, but
she is smart when it comes to getting masses attention.
The result
is a quite confusing mess, with slightly interesting tracks like opener Dooo
it!, which quickly finds common ground between the FL's Yoshimi Battles the
Pink Robots and Cyrus mediocre pop career, Karen Don't be Sad tries to get
serious on the side of the Lips, it’s a Lips tune sung by Cyrus, but not even
this formula or a decent melody can save The Floyd Song, and things go downhill
from there, as neither the Lips or Cyrus worry about giving the less form to
their musical "creations"..., and its only in Bang Me a Box where the
weed daze seems to get a little clear.
The problem
here is that this is not a Miley Cyrus and the Flaming Lips record, of course
Miley name is here, but there is reason for the Lips name not appearing
officially on the cover, and that is the fact that the Lips are not 100% sure
of the project, yeah, it might be fun, they play hiding in the shadows, they
now aligning 100% with the Cyrus is a bit too risky, one thing is aligning with
Yoko Ono, who is risky but an awesome artist anyway, but the Cyrus…she´s more a
clown, and that might be the reason this whole thing simply goes down…
But nothing
really serious, and while I Forgive Yiew and I Get So Scared show some promise,
they ate mostly formless, sound vehicles without much talent imprinted on them,
Cyrus might have talent to get people's attention, now is time that she learns
how to write decent songs
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