From Cosmic Failure to Nuclear Rebirth: How Fantastic Four Rose from the Ashes to Kick the MCU’s Throne

For years, the mere mention of the Fantastic Four on the big screen sent a shiver down the spine. Marvel’s First Family seemed doomed—a distant echo of three cinematic attempts that faded into oblivion, leaving behind nothing but disappointment. For many, myself included, comfort came from the drawings, from those legendary comics crafted by the master minds of Stan Lee and Jack Kirby, or from that animated gem by Hanna-Barbera in the late ’60s, where the universe of the FF first came to life before my eyes.

But oh, surprise! The number four, once a dark omen, has turned into a true blessing. Under the direction of Matt Shakman and with a stellar cast including Vanessa Kirby and Pedro Pascal, we finally have in our hands a film that does justice to these true comic book icons. Shakman, the very genius behind the TV phenomenon WandaVision, has infused his vision—that strange and dazzling blend—into the heart of the Fantastic Four. And if he managed to weave wonders with that singular family of Wanda Maximoff and Vision, now he’s surpassed all expectations, delivering what is, to date, the crowning achievement of Marvel’s First Family.

I could dive into a sea of TV references, and the Jetsons would come to mind, with their futuristic aesthetic tinged with retro charm, resonating with the concept of Fantastic Four: First Steps. And here comes my unfiltered truth: the film is a vibrant promise of a new and grand Marvel universe. A masterpiece? Not yet. My gut tells me that Shakman, blessed with an abundance of material, faced a challenge in the editing room. That first part, vibrant and action-packed, sometimes suffers from overload. But make no mistake—this is only the beginning.

Beyond the visual effects, which are a delight, what truly elevates this film is the raw, authentic quality of its performances. It’s British actress Vanessa Kirby, in the role of Sue Richards, the Invisible Woman, who stands as the emotional pillar of the story. If in the universe of the Fantastic Four Sue is the most powerful, in this ensemble, Kirby is unmatched. At her side, Pedro Pascal—who raised doubts in many (myself included)—takes ownership of a Reed Richards complexly tormented by his intellect and inner demons. He’s managed to channel that vulnerability into a silent strength that pulls you in.

The supporting roles are a true feast for the soul. Joseph Quinn (Stranger Things) and Ebon Moss Bachrach (The Bear), who play Johnny Storm, the Human Torch, and Ben Grimm, the Thing, are simply sublime. Two crucial observations here: Shakman’s Thing is, without a doubt, the best cinematic portrayal seen to date. A Ben Grimm rough on the outside but with a sensitivity inside that breaks your heart. On the other hand, the reinvention of Johnny Storm breaks the mold. The superficiality that once defined him gives way to a warmth and curiosity that transform him into an invaluable asset for the team. The dedication of these actors to their characters is palpable. The result simply speaks for itself.

Fantastic Four resonates with astonishing depth in these times. If James Gunn’s Superman whispers to us about kindness and vulnerability, Matt Shakman’s Fantastic Four shout about family and unity. In a world where polarization seems to devour everything, the FF, in an act of rebellion, turn their backs on the wishes of Galactus, the film’s villain. Sue Storm not only keeps her family united but also inspires citizens to join her and Richards in a global project to defeat the devourer of worlds. This film is an anthem to unity—a beacon in the darkness. And if Gunn’s vulnerable Superman is pure punk rock, the Fantastic Four are not far behind in their iconoclastic, defiant attitude.

There’s only one thing left: to wait eagerly. To long to see the Fantastic Four leading the Marvel universe, bringing back legendary figures like Dr. Doom, Namor, and Black Panther. It’s a pity that classic villains like Mole Man and the Red Ghost were left on the cutting room floor, because the FF’s gallery of foes is, without a doubt, one of the most extraordinary in comics. Shakman and his Fantastic Four are a resounding success, and this film leaves us with an insatiable thirst for more. Marvel’s First Family has returned—and this time, it seems they’re here to stay.