There Ain´t No Cure for the Russian Blues
There Ain´t No Cure for the Russian Blues
“Russia is a riddle
wrapped in a mystery inside an enigma.”
Winston Churchill
By: Erreh Svaia
I suppose
my Russophilia started when I was very young, I learned in school about
capitalism, socialism and communism, in elementary school we didn't get too
much details about it, capitalism, as we were thought meant private property,
individuality and abundance, freedom of choice; Communism, exemplified then by
the now defunct USSR, meant authoritarianism, no private property, austerity,
"everybody is equal", "the government owns everything";
Socialism was in a poor simplistic way described as the combination of the
former two (Third Way?)
When I went
to college, I developed an habit of reading novels, and I also loved geography
and history, which lead me to know and love the works of the great Russian literature
masters Tolstoy, Dostoevsky, Gogol and Chekov, I was intrigued by the lives of mighty
characters like the dictator Joseph Stalin, the revolutionary Trotsky, and the mystic
Rasputin, in a way the stories of all these guys remind me of the stories about
the Mexican Revolution times by Jorge Ibarguengoitia or the rural tales of Juan
Rulfo and Bruno Traven, to me, the Russian Revolution and the Mexican
Revolution both went hand in hand at some points, after all, both armed
movements started in the poorest sectors of both societies only to be
manipulated by political fractions, ended up in two long lasting dictatorships,
and both countries societies ended up oppressed precisely by the revolutions
they supposedly put in motion, with revolutionary pioneers Ricardo Flores Magón,
and Lev Trotsky ousted from the movements they helped to create and betrayed by
their new leaders.
While
growing up, I was always interested about Russian culture, I loved Eisenstein
and Tarkovsky cinema, the troubled and despairing poetry of the great Anna
Akhmatova, eastern Europe architecture amazed me or made me nostalgic, and I
was blown away by the Chernobyl disaster (terrifyingly described in Voices of
Chernobyl by the Belarusian writer Svetlana Alexeievich, recently (well
deserved) awarded with the Nobel Prize in literature) and the subsequent fall
of the communist regime, nearly a decade after that, a one political party
dictatorship also ended in México (PRI).
Another
reason to madly love Russia was the works of other two more contemporary
writers I appreciate so much, the monumental talents Aleksandr Solzhenitsyn an
incredible writer close to traditional Russian literature, but denouncing the
horrors of the Gulag (there is a great book on this by Anne Applebaum) and the
wild and legendary Eduard Limonov, a Russian maverick, two totally opposed
writers with a unique vision of the events leading to the end if the soviet
experiment and who in a way, felt booth betrayed by the country they at one
time loved so much.
These days
I can name Vladimir Sorokin as my current favorite Russian writer with his
impressive Day of the Oprichnik, a powerful blow to Russia's current oppressive
system, I'm also deeply in love with the great musical legacy of the amazing Egor
Letov and visionary music created under the specter of punk rock, but developed
truly underground, lo fi and running away from the KGB; More recently, I was
totally blown away by today's great realistic cinema with directors like Yuri
Bykov and Andrei Zviaguintsev whose Durak and Leviathan movies respectively
showed a powerful and severely critical vision in the middle of the chaotic
Russian landscape, their obscure and sometimes desperate style of storytelling reminds
me of the great work of Mexican filmmakers Arturo Ripstein and Felipe Cazals
whose greatest works displayed similar type of stories in the 70s and 80s,
impossible again to negate the emotional connections and links between both
countries, and impossible not to identify and love that unique story and
cultural past that make Russian culture so fascinating to me, how accurate was
Mr. Churchill.
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