What the Best Jazz Musicians and Business Brains have in Common
What the
Best Jazz Musicians and Business Brains have in Common
By: Frank
J. Barrett
Taken
from: CNN
How do you
cope when faced with complexity and constant change at work? Successful leaders
do what jazz musicians do: they improvise.
They invent
novel responses and take calculated risks without a scripted plan or a safety
net. They negotiate with each other as they proceed, and they don't dwell on
mistakes or stifle each other's ideas.
In short,
they say "yes to the mess" that is today's hurried, harried, yet
enormously innovative and fertile world of work.
An
improvisational "jazz mindset" and the skills that go along with it
are essential for effective leadership today. But how do you bring that into
your work-life?
First,
master the art of unlearning. Jazz musicians guard against the seductive power
of routines and habits. They challenge themselves to explore the very edge of
their comfort level, to stretch their learning into new and different areas.
Leaders could stand to take a page from the jazz playbook.
When organizations
become locked in a dominant design, people find themselves trapped in roles,
and dynamism is lost.
Second,
develop affirmative competence. Leaders frequently find themselves in the
middle of messes not of their own making or in over their heads, having to take
action even though there is no guarantee of outcome. Jazz players face the same
issues, but what makes it possible to improvise is an affirmative move, an
implicit "yes" that allows them to move forward even in the midst of
uncertainty.
Human
beings are at their best when they are open to the world, able to notice what's
needed, and equipped with the skills to respond meaningfully in the moment.
Improvisation grows out of a receptivity to what the situation offers.
Third,
perform and experiment simultaneously. Leaders need to do what jazz musicians
do -- anticipate that when people are encouraged to try something new, the
results will be unexpected and can include errors. Innovative cultures maximize
learning by nurturing a mindset of enlightened trial and error that allows
managers to take advantage of errors to offer new insights.
This
involves creating a psychological comfort zone, one in which it is safe for
people to talk about errors and what can be learned from them. Failures are
occasions for learning.
Fourth,
balance freedoms and constraints. Jazz bands and innovative organizations
create the conditions for guided autonomy. They create choice points to avoid
getting weighted down with fruitless rules, while also maximizing diversity,
inviting embellishment, and encouraging exploration and experimentation. To
foster innovation, leaders hedge against the trap of "too much
consensus."
The underlying assumption is that when people disagree,
they're both right. Thus, such organizations tolerate and encourage dissent and
debate.
Fifth,
learn by doing and talking. In jazz, learning and ideas for innovation take
place in jam sessions, the creative equivalent of conversations in 19th-century
coffeehouses.
It is here
that musicians get innovative ideas, and learn whether their playing is up to
par.
Organizations need to create similar room for jam sessions as Steve Jobs
so deeply understood. They need to deliberately design for serendipity, to
encourage happy accidents and unexpected discoveries. The key to this in
organizations is opportunistic conversations. Great insights occur in the
context of relationships and exchanges, as people share each other's work and
ask questions.
Sixth, take
turns soloing and supporting. We put so much emphasis on leadership today that
we have forgotten the importance of followership, what jazz musicians call
"comping," or accompanying. In organizations, followership --
supporting others to think out loud and be their best -- should be an art more
fully articulated, acknowledged, and rewarded.
Leaders
need to model and support the practice of taking turns as leaders and
supporters, just as great jazz players do. Followership can be a noble calling,
but organizations need to let it flourish.
Seventh,
practice provocative competence. Provocative competence is a very special
leadership skill that helps people break out of competency traps. To do it
leaders need to discipline their imaginations to see a person's or group's
potential. Leaders also can introduce a disruption that demands people leave their
comfort zones and attempt new and unfamiliar actions.
Duke
Ellington and Miles Davis were masters of provocative competence; they
understood that it was an art form in itself. Leaders in every sector would do
well to heed the lesson.
Eighth, hit
a groove. Organizations often overlooked that the most creative breakthroughs
come from relationships. Jazz musicians know that creativity is a collaborative
achievement and improvisation is an emergent, vital process. When players are
listening and attuned to one another they are more likely to experience a flow
state.
Organizations
should also appreciate the importance of relationships and teams rather than
over-focusing on individuals. When organizational teams are able to hit a
groove, the collaboration is more likely to lead to innovation. Thomas Edison
knew this. So did Steve Jobs.
Leaders
today need to be expert improvisers. The principles of jazz thinking and jazz
performance can help anyone who leads teams or works with them, wherever they
sit in the organization, develop these critical skills.
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